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Artist: C: LOVE
ALPHABETICAL ARTIST INDEX:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
- Arthur Putnam, Tiger19th - 20th century
- Kunisada , Couple making love beside an untouched tray of food, 1850 - 1860
- Kunisada , Couple making love beside a plum tree at night, 1850 - 1860
- Kunisada , Couple making love beside a writing table, 1850 - 1860
- Felix Meseck, Love-making - middle aged couple, 19th - 20th century
- W. H. Mote, The Love Letter., 19th - 20th century
- Thomas Nast, The Lion (U.S.G.) Not in Love. Went To Clip, But Was Clipped, 1876
- Thomas Rowlandson, The Double Disaster or New Cure For1807
- Thomas Rowlandson, The Sweet Little Girl That I1808
- Thomas Rowlandson, The Four Seasons of1814
- Thomas Rowlandson, Dying for Love (or Kissing for Love), 1810
- Thomas Rowlandson, Come Live With Me and Be Mycirca 1815
- Frank Short, Love and Death, 19th - 20th century
- Blanding Sloan, Love Flight, 19th - 20th century
- Kitagawa Utamaro , Courtesan and client preparing to make1800 - 1806
- Albert Beck Wenzell, [Music and young love]- One from the Studies and Sketches for the Murals in the New Amsterdam Theatre, New York, 19th - 20th century
- Anonymous, Illustration for Canto 1, verse 27 of Jayadeva*s Gita Govinda (Love Song of the Dark Lord), circa 1800
- Anonymous, Illustration for Canto 11, verse 17 of Jayadeva*s Gita Govinda (Love Song of the Dark Lord), circa 1800
- Anonymous, Illustration for Canto 12, verse 7 of Jayadeva*s Gita Govinda (Love Song of the Dark Lord), circa 1800
- Walter Crane, The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Frontispiece and plate 1 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Title page in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 2 opposite page 27 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 3 opposite page 33 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 4 opposite page 44 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 5 opposite page 60 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 6 opposite page 84 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 7 opposite page 115 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Walter Crane, Plate 8 opposite page 138 in the book The Quiver ofa Collection of Valentines Ancient and Modern by various authors (London and Belfast: Marcus Ward & Co., 1876), 1876
- Paul Gavarni, Voyons! j*aime Clara, si c*est face; si c*est pile, j*aime Augustine., (Look! I love Clara, if it*s heads; if it*s tails, I love Augustine) from the series La vie de jeune homme, plate 23 in the book Oeuvres choisies de Gavarni ä Etudes de m
- Aubrey Beardsley, How Sir Tristram Drank of the Love Drink, in book 8 opposite page 218 in the book Morte Darthur: The Birth, Life and Acts of King Arthur, of His Noble Knights äby Sir Thomas Malory. intro. John Rhys. 2nd ed. (New York: E. P. Dutton, 1909
- A. F. Lydon, And love the high-embossed roof..., plate opposite page 53 in the book Gems from the Poets (London: Groombridge and Sons, [ca. 1860]), ca. 1860
- A. F. Lydon, Domestic love! not in proud palace halls..., plate opposite page 59 in the book Gems from the Poets (London: Groombridge and Sons, [ca. 1860]), ca. 1860
- Gustave DorÈ , The Victim ofillustration no.3 on the title page in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love at First Sight, illustration no. 20 on page 17 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love and Suicide, illustration no. 80 on page 96 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love at His Tricks, illustration no. 125 on page 251 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Ecstasy of Trueillustration no. 138 on page 167 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , A Declaration ofillustration no. [153] on page xvii in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Declaration ofillustration no.154 on page 189 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love Mastered, illustration no. 159 on page 201 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Sheltering fromillustration no. 193 on page 260 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Declaration ofillustration no. 211 on page 283 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , The Sweets ofillustration no 219. on page 289 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Endearments ofillustration no. 228 on page 308 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , The School ofillustration no. [231] on page xxi in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love by Moonlight, illustration no. 253 on page 350 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Vertigo ofillustration no. 272 on page 367 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , The Baron of Croixmare Who Died ofillustration no. 278 on page 376 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [18
- Gustave DorÈ , The Light ofillustration no. 299 on page 404 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love-sick, illustration no. 311 on page 439 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Psalms ofillustration no. 352 on page 529 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Tenderillustration no. 379 on page 574 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Commencement ofillustration no. 385 on page 584 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love in the Fields, illustration no. [405] on page xxviii in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , The First Gleam ofillustration no. 410 on page 623 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Gustave DorÈ , Love in the Woods, illustration no. 413 on page 633 in the book Droll Stories Collected from the Abbeys of Touraine (Les contes drolatiques) by HonorÈ de Balzac. 1st English translation (London: John Camden Hotten, [1874]), 1874
- Samuel Palmer, "Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883), 1883
- Isaac Cruikshank, Love and Learning, pl.56 opposite page 129 in the book Eccentric Excursions or Literary and Pictorial Sketches of Countenance, Character,and Country in Different Parts of England and South Wales by G. M. Woodward(London: R. S. Kirby, [ca
- William Bond, "How I Love to Laugh_Never Was a Weeper", title page vignette in the book The Pleasures of Human Life by Hilari Benevolus & Co. (London: Longman, Hurst, Rees & Orme 1807), 1807
- Cham (AmÈdÈe Charles Henri de NoÈ), Ant j*adore les gens grÍlÈs, ils me rapellent le gruyËre! (I love pcokmarked people, they remind me of Gruyere), eighteenth plate in the book, Album du SiÈge, 19th century
- Gustave DorÈ , Victims of19th century
- Francesco Bartolozzi, [Cupid Inspiring Plants with Love], 18th - 19th century
- Nicholas Blakey, Self Love still stronger, as it"s Objects nigh, Reason"s at distance, and in Prospect lie;, 18th century
- Anthony Cardon, A New Love Song only Ha"penny a Piece - Cries of London, 18th - 19th century
- George Cruikshank, Love and Learning, 18th - 19th century
- George Cruikshank,18th - 19th century
- Martial Deny, A Love Tryst Revealed, 18th - 19th century
- Jean HonorÈ Fragonard, Love in a Stable, 18th - 19th century
- Johann Gottfried Haid, The Love Letter, 18th century
- William Hamilton, Shakespeare - Love"s Labor Lost ,-Act IV, Scene I., 18th - 19th century
- Harunobu, Courtesan Senri Receiving a Love Letter, circa 1769 - 1770
- Kiyonaga, A Mature Man Preparing to Make Love to a Young Girl, circa 1780 - 1790
- Koryusai, Girl on Balcony Tossing Ball at Youth with Love Letter (Chushingura, Act VII), circa 1770 - 1773
- Koryusai, Girl on Balcony Tossing Ball at Youth with Love Letter (Chushingura, Act VII), circa 1770 - 1773
- Koryusai, Couple making1770 - 1772
- Kunisada , Couple making love beside mosquito net, 18th - 19th century
- Jac. Balthasar Lidel, Achilles and Deidamie; the surprises of18th century
- John Neagle, Love"s Labor Lost, Act IV, Scene II., 18th - 19th century
- John Neagle, Love"s Labor Lost, Act IV, Scene II., 18th - 19th century
- Thomas Rowlandson, Quaker In18th - 19th century
- Thomas Rowlandson, Oh the Sweets of18th - 19th century
- Thomas Rowlandson, The Love Letter, 18th - 19th century
- Gabriel Scorodomoff, The Trimph of18th century
- Yanagawa Shunsui, Couple making1770 - 1780
- William Skelton, Love"s Labor Lost, Act V , Scene II., 18th - 19th century
- Sir Robert Strange, The Offspring of18th century
- Kitagawa Utamaro , Couple making love by painted screen, 1798 - 1802
- Samuel Wale, Ah Wretch! believ"d the Spouse of God in vain, Confess"s within the Slave of Love and Man, 18th century
- Francesco Bartolozzi, The Market of1795
- Francesco Bartolozzi, Market ofstudy for the stipple engraving, 1793
- George Montard Woodward, Your Love and Mine, plate 32 opposite page 65 in the book Elements of Bacchus; or, Toasts and Sentimentsä (London: William Holland, 1792) , 1792
- Francisco JosÈ de Goya y Lucientes, El amor y la muerte (Love and Death) , plate 10 from the series Los Caprichos (Caprices), 1799
- Piat Joseph Sauvage, The Triumph of18th - 19th century
- Fan, "Led by Love", circa 1780
- Jan Harmenz Muller (Johannes Mullerus), The love of Venus and Mercury, 16th - 17th century
- Jacob Matham, The Love of the Gods: Hercules and Deianera, 16th - 17th century
- Bernardo Daddi, Frieze with theTriumph ofafter Raphael, 16th century
- Agostino Carracci, Venus Punishing Profanefrom the Lascivie, circa 1590 - 1595
- Anonymous , The Love Fool: woodcut illustration for the original edition of the "Narrenschiff" (Ship of Fools), taken from the Latin reprint edition Basel, 1511
- Heinrich Aldegrever, From the set of seven plates, The Virtues. Love of one"s fellow man., 1552
- Antonio Tempesta, Mercurius Herses amore accenditur (Mercury Falling in Love with Herse), pl. 18 from the series Ovid*s Metamorphoses, 17th century
- Sugimura Jihei, Couple making1680 - 1690
- John Smith, "Time assisted by the love of Vertue, dispells the truth of painting out of the Clouds of ignorance.", 17th - 18th century
- Giacinto Gimignani, Cleopatra showing Anthony her1647
- Odoardo Fialetti, Venus Seated, Blindfolding Amor, pl. 11 from the series Scherzi d"Amore (The Sport of Love), 1617
- Odoardo Fialetti, Venus Regarding Cupid, Who is Cutting a Bow, from the series Scherzi d"Amore (The Sport of Love), 1617
- Odoardo Fialetti, Venus Covering Sleeping Amor, from the series Scherzi d"Amore (The Sport of Love), 1617
- Stefano della Bella, A Screen with a Rebus about17th century
- Georg Pencz, The Triumph of16th century
- Jan (Johannes) Sadeler I, A Love Couple in a Landscape by a River, Amor shooting his arrow from the Sky, and Death shooting his Arrow from the Thicket, 16th - 17th century
- Jan Saenredam , Marriage of pure16th - 17th century
- Jan Saenredam , Venus presiding over16th - 17th century
- Domenichino (Domenico Zampieri) , Le Triomphe de L"amour...( The triumph of love )...twelfth plate in the book... Le MusÈe royal (Paris: P. Didot, l*ainÈ, 1818), vol. 2, 16th - 17th century
- Artist: Edouard Bernard Debat-Ponsan Title: Love Dies in Time Date: 1872 Medium: oil on canvas
- Goddess of Chastefragment of a cassone panel, 1468-75 Francesco di Giorgio (Francesco Maurizio
- Mars and Venus United by Love Paolo Veronese (Paolo Caliari) (Italian, Venetian, 1528-1588)Oil on canvas;
- The Love Song, 1868–?1873 Sir Edward Coley Burne-Jones (British, 1833-1898)Oil on canvas; 45 x 61
- The Love Letter, ca. 1670 Jakob Ochtervelt (Dutch, 1634-1682)Oil on canvas; 36 x 25 in.
- The Love Letter, about 1770 Jean Honoré Fragonard (French, 1732-1806)Oil on canvas; 32 3/4 x
- Molded Dish with an Allegory of
- Marine Gods Paying Homage to
- The Fountain of
- The Fountain of
- The Temple ofPetit Trianon, Versailles
- Hope Nourishing
- John La Farge, American, 1835-1910 Angels Representing Adoration, Praise, Thanksgiving, and Love Watercolor on paper
- Philippe de Lasalle, French, 18th century Design for silk weaving, with Altar of love Mise-en-carteGouache
- Francisco de Goya y Lucientes, Spanish, 1746-1828 El amor y la muerte. (Love and Death);
- Embroidered by Love Rawlins Pickman, American, 1732-1809 Embroidered picture Massachusetts, (Salem), about 1745 Silk satin
- William Adolphe Bouguereau, French, 1825-1905 Fraternal Love 1851 Oil on canvas 147 x 113.7 cm
- Krishna and the Gopis Begin their Love Play From an illustrated manuscript of the Gita
- Horatio Greenough, 1805-1852 Love Prisoner to Wisdom 1836 Marble 109.85 x 31.75 x 36.83 cm
- Jean-Honoré Fragonard, French, 1732-1806 Later etched by St. Non Sheet of drawings: Classical love scene;
- Paul Gauguin, French, 1848-1903 Soyez amoureuses vous serez heureuses (Be In Love and You Will
- Embroidered by Love Rawlins Pickman, American, 1732-1809 The Kiss Given Embroidered picture Massachusetts, (Salem), about
- Embroidered by Love Rawlins Pickman, American, 1732-1809 The Kiss Returned Embroidered picture Massachusetts, (Salem), about
- Master of the Gardens ofNetherlandish, active in 1440-1450 The Little Garden of
- Sir Edward Coley Burne-Jones, English, 1833-1898 The Love Song (Le Chant d"Amour) 1865 Transparent and
- The Nayaka and the Dutika (The love letter) Page from an illustrated manuscript of the
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Maureen Love
Solo Act
Our Price: 10.00
Maureen Love
Les Fleurs Lavandes
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Maureen Love
Under the Blossoms
Our Price: 12.00
Maureen Love
Elegant Entry
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Maureen Love
Grand Openings IV
Our Price: 10.00
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